Veteran Ugandan comedian and content creator JK Kazoora has responded to remarks made by fellow comedian Frank Ntambi, who suggested that Kazoora may be out of touch with today’s generation of content creators.
In a recent interview, Kazoora recalled his early career, emphasizing his impact on Uganda’s comedy scene. “25 years ago, I was on Jam Agenda; I was number one. I held a whole generation,” he said, highlighting the influence he had on audiences during the peak of his career.
The veteran comedian noted that while the comedy industry has evolved significantly over the years, his contributions laid the foundation for modern performers. “I was part of shaping what comedy in Uganda looks like today. Many of the younger creators learned from what we did back then,” Kazoora said.
He reflected on his time on Jam Agenda, one of the most popular comedy shows in Uganda, and explained how it allowed him to connect with audiences across the country. “We didn’t have social media, but we made people laugh and we held their attention. That was real influence,” he added.
Kazoora acknowledged that content creation has changed with technology, social media platforms, and trends, but he stressed that his experience remains relevant. “Times change, styles change, but talent, creativity, and connection with the audience never go out of style,” he said.
Addressing Frank Ntambi’s remarks directly, Kazoora said he welcomes dialogue with younger comedians but disagrees with the notion that he is disconnected. “I respect Frank and all young creators. But to say I am out of touch is unfair. I’ve been in this industry long enough to know what resonates with people,” he explained.
The comedian also spoke about the importance of honoring the pioneers of Uganda’s comedy industry. “It’s easy for people to forget the groundwork that was laid 20–30 years ago. Without those early shows and performances, the current generation wouldn’t have the platform they have now,” Kazoora emphasized.
He recounted memorable moments from his career, including live performances, television sketches, and collaborations with other comedians who are now considered legends. “We didn’t just perform; we created a culture and made people anticipate comedy every week,” he said.
Kazoora also highlighted the responsibility that comes with being a veteran in the field. “When you’ve been around this long, people look up to you. You have to maintain standards and guide younger performers,” he said.
He expressed that comedy is not just about making people laugh but also about reflecting society. “Comedy holds a mirror to culture, politics, and everyday life. That’s why our work mattered so much back then, and why it still matters today,” Kazoora explained.
When asked if he feels challenged by modern platforms like YouTube, TikTok, and Instagram, Kazoora said he sees them as opportunities rather than threats. “I’m learning, adapting, and sharing content online too. It’s a different stage, but the principle of making people laugh remains the same,” he said.
The veteran also addressed criticisms that he doesn’t understand younger audiences. “Understanding a generation isn’t just about knowing trends. It’s about understanding humor, empathy, and timing. That never changes,” he said.
Kazoora emphasized mentorship, stating that he actively supports and advises emerging comedians. “I spend time with young talents, teaching them the ropes. That’s my way of staying connected,” he explained.
He recounted how some of today’s successful comedians have credited him for guidance and inspiration. “Many of the top comedians today started by watching our shows or attending our workshops. That’s a legacy you can’t ignore,” Kazoora said.
On the issue of relevance, Kazoora believes that true talent transcends generational divides. “If you are genuinely talented and connect with people, you’ll always be relevant, even if the medium changes,” he remarked.
He also shared his philosophy on humor, explaining that comedy is timeless when it speaks to universal experiences. “Whether it’s 1990 or 2026, people laugh at life’s absurdities, at shared struggles. That’s what I’ve always focused on,” Kazoora said.
Kazoora acknowledged that while younger creators have innovative styles and platforms, veteran performers have the experience, discipline, and historical perspective that are invaluable. “We offer context, history, and mastery of the craft,” he added.
He concluded his response to Frank Ntambi by urging unity and mutual respect in the comedy community. “We all want to make people laugh. Instead of dividing generations, we should share knowledge, collaborate, and celebrate comedy in Uganda,” Kazoora said.
Finally, he reminded the public that his career is not defined by social media metrics or current trends alone. “My work over 25 years speaks for itself. I may not be everywhere online, but I’ve shaped comedy, and I’m proud of that,” he said.
Kazoora’s interview has sparked discussions among Ugandans about the role of veteran performers, the evolution of comedy, and how older and younger generations of artists can learn from each other.
